VCA student and upcoming filmmaker, David C. Mahler, is at the tail-end of an ambitious crowd-funding campaign for a fantasy film.
Production values are important to Aussie filmmaker David C. Mahler, who’s currently more than half way through a crowd-funding campaign to raise funds for his new fantasy/science film Splendor Solis.
This year’s just wrapped WA Screen Awards are proof that the state definitely has a lot to celebrate when it comes to their screen industry.
Over 500 guests turned up to the 26th annual WA Screen Awards on Monday night, with ABC feature documentary Comic Book Heroes, proving one of the evening’s big winners.
…which is a very nice $100,000.
Quickly cementing its status as the must-attend event on Western Australia’s cultural calendar, CinefestOZ is returning this year in spectacular fashion – unveiling its inaugural Film Prize, which is the only cash film prize dedicated solely to Australian feature films.
Director and co-writer, Stuart Willis, is crowd-funding his online mini-series, ‘Restoration’, set in a future world where individuals have their memories downloaded for backup, and shooting at Melbourne’s Docklands Studios.
…citing that releasing it would be considered an “act of war”.
In their first official statement on the film, a North Korean foreign ministry spokesman has promised “merciless” retaliation if a forthcoming Hollywood moving about assassinating Kim Jong-un is released.
There was a time when it was totally normal for horror movies to be about high schoolers doing bad things and having bad things done to them. Strangely, that’s not really the case anymore. Horror today has traded high school locker rooms for kitchens in suburbia.
You know those real estate scams where you’re offered a free vacation if you just sit through a time-share presentation and that time-share presentation seems never-ending, because even if it’s just two hours, what you really wanted was a free vacation?
CANNES – There are few faces — individual, honest-to-God faces – in the movies today quite like that of Marion Cotillard, her startling beauty assembled from oddly sized, quizzical features that mightn’t hang quite right on anyone else’s bones. She looks like no one else, and yet never quite resembles herself on screen either: it’s a face that different angles and contexts can turn from silken to sallow, hunter to hunted, goddess to guttersnipe.